Bright colours appear to be less effected by the atmosphere (in this example any way).
You will notice that snow lit by the sun is still incredibly bright and not overly blue. The transition is very abrupt in this photo because the ground between the mountain is not visible. You can also see that the darkest tones are to be found in the foreground. Regardless of the exact distance you can clearly see the transition in colour from dark green to blue. In this photo we have 3 levels of distance I’m guessing the furthest mountain is 5-10 miles away, I could be way off. Take a look at this photo from New Zealand.
Objects that you are used to painting like trees and green fields suddenly become purple and turquoise. Secondly the values don’t all change in the same way. The main problem is colour mixing, because your object is taking on the atmosphere’s colour, the highlights, shadows and hues all change. All you have to do to give the illusion of added distance is make one of the mountains much bluer than the other…. So you have two mountains on a sunny day to paint, and you want to make one look further away than the other. This is also referred to as Atmospheric Perspective. This illusion of distance is one of the most important things to master if you want to make your digital landscape paintings more believable. This haze makes the distant object look duller and it also gives the object the tint of the atmosphere – on a sunny afternoon this would be a blue tint. Basically the further away something is the more atmosphere there is between the viewer and the object. What makes things look further away? Atmospheric haze.
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